>Buckley & Chomsky (plus a poet)

>I always found William F. Buckley Jr. (1925 – 2008) mesmerizing, and frequently infuriating. When I was younger I liked his politics. As I became older, not so much. But he was so good at what he did. And when one looks at clips from his show, one cannot help but remark that he was a unique individual and brilliant spokesman for his team. He was also much into sailing, which I can appreciate. And he was a devoutly religious man (so I’ve read) which bodes well for him.

Although these clips of Buckley are posted plenty elsewhere, I figure if I can get in a clip of Noam Chomsky (another mesmerizing and infuriating person who I like very much) at the same time I will. Here Buckley debates Chomsky:

Part 1

Part 2

It is rather frightening just how relevant their discussion is today.

Interestingly, for all his ego and need to dominate in the area of ideas, Buckley was also a gentle person who could be rather long suffering. Here he is suffering through Allen Ginsberg (a mesmerizing and infuriating poet, who I also like very much, up to a point):

Classic.

>dreaming

>. . . some simple juxtapositions:

Sight grows dim, my strength
is two occult, adamantine darts
Hearing weavers for my father’s house
breathes distant thunder
The tissues of hard muscles weaken
like hoary oxen at the plough
and no longer when night falls
do two wings gleam behind me

During the party, like a candle I wasted away
Gather up at dawn my melted wax
and read in it whom to mourn, what to be proud of
How, by donating the last portion of joy
to die lightly
and in the shelter of a makeshift roof
to light up posthumously, like a word

~ from Nostalgia (a poem by Arseniy Tarkovsky; Andrey’s father)

Polaroid images by Andrey Tarkovsky:

Voice over from Tarkovsky’s The Mirror:

I keep having the same dream. It seems to be forcing me to return to the bittersweet site of my grandfather’s house, where I was born on the table forty years ago. Something always prevents me from entering. I keep having this dream. When I dream of the log walls and dark pantry, I sense that it’s only a dream. Then my joy is clouded for I know I’ll wake up. Sometimes something happens, and I stop dreaming of the house and the pines by the house of my childhood. Then I grieve and wait for the dream that will make me a child again, and I’ll be happy again, knowing that all still lies ahead, and nothing is impossible.

>Hart Mountain

>

I hold the leg back
while my father
makes the first incision.

It is here,
September desert mountain,
dry creek bed,
cervidae refuge,
where woods thicken
humid and dark,
where sons father dreams,
birds dash from tree to tree
like anxious spirits
in silhouette.

It is here,
oblivious to
the swarming flies,
knees locked in silence,
I watch the knife blade
deftly moving in bloody hands;
entrails glistening,
antlers digging earth,
eyes once bewildered
now like glass.

It is here,
down this lethal ravine,
shimmering blood on leaves,
broken branch of frantic motion,
cloven prints in soft soil,
and shouts from the ridge above,
I lunged headlong
with rifle ready
tired limbs forgotten,
following instinct and fear.

It is here,
guts now spilling
green-yellow stench
from belly wound,
where I last heard
the painful breathing,
and motioning,
directed the final blow.

~1998

>Winter Fires

>1.
The hills in the distance
are eggplant and somber
heavy outlines separating
the sky and valley
like divisions of life
and their smooth testimony
harbors a silent ache
created by inches
and terrific pressures
in a time of inherited archetypes

And this young valley
is an ancient ocean
I live at the bottom
where the grass is greenest
and sometimes I am
below the grass, below the roots
deep, deep in the difficult clay
that is my life

In the mornings
I find my way
by the belt of Orion
and the cats
on neighborhood lawns
at times
when Winter makes the ridges bleak
I feel the Senate at my back
but I am no Fabius
and these fires are all my own

2.
There is a river
that runs like an eel
down the guts of the valley
but no matter that it keeps moving
the river never takes away
any sorrows

The water along the bank
is almost invisible
except for the sheerest gleam of sky
like fire leaping
above the dark browns and ocres
of the river’s edge

and even here
the infinite calls me
to empty visions
waiting to be filled
with new flesh and new bone
to hollow figures
waiting for a finer blood
and a purer light
a change so complete
one is carved through
and left for dead
along the quiet fire of the river

>like blossoms falling

>1.
on that bedroom wall, a barn
in August; a Vermeer;
a café; and suitcases
painted by someone we know
and beyond that wall
the great wheel turns like a millstone

when the sky is blue
it is the gleaming face of destruction
and down among the roots
in the tangles of soil an ancient vine
threatens our hedges
tangling our hopes with darkness
calling to us from the tomb of this world

some set up stones
some spilled blood
some sacrificed flesh
and when night descended
the sun fought its way through hell

this is the ancient of days
the ever coming of the storm
the swelling of the tender buds

2.
in the beginning
we did not think of cities;
seeking arcadia along the rivers
and in the fertile valleys
collecting goats
corroborating stars
wearing anxieties like dead skins

and when our sons grew up
and killed each other
the heavens still beckoned
but our monuments never reached that far
not really
and all of it’s more like a parking lot
than an orchard
but still I see the leaves kicked up

3.
I am a trunk
hewn and mobile
bone and blood
a serpent and a spirit
I am viscera
I am pouring forth
I am crawling through
and you
the world
a treachery
a beautiful death
an angel and a sword
a streaming light
can only cast your voice
in the stillness of my desires
like blossoms falling
in the shadows

-2001/2007


Et in Arcadia Ego, painting by Guercino, ca. 1628

>ashes

>

a breeze can be so soft
almost still fluctuations and sensations
around the face
and only ashes flown from the fire
might take notice

we stare down Little Indian
everything is brown
wheat brown
copper brown
gray brown
except the sage
dotted throughout

we are descending in the thin air
stones shift slightly under our weight
brown stones laid down
and pushed up
slowly

early winter sun outlines
the blue-black gleam of our weapons
and the sky could lift us out of this world

we feel it
glorious
we know this feeling

in the distance
along the valley floor
delta shaped and silent
a shadow hugs the ground
moving swiftly
like a razor’s sharp line toward us

we gesture

before we can speak
the jet hurtles over us
screaming the low metal scream of machines
and rolling belly-up
disappears beyond the rim
dropping below the horizon
to the eastern desert plateau

silence
stillness
we still gesture

a phantom
we all know it
we are men
after all

then again
in the soft breeze
ashes

– December 1999/November 2007

>do not turn away

>Do not turn away
Even though you have the chance
Do not take your leave
For there is really nothing to take
Only to lose or to gain

Do not break in two
Or fall apart or become as stone
Or let the fire destroy
Or let the fire go out

Do not go quietly
But you can go humbly
And know that humility
Is an ache deeper than the ocean
And a challenge like the challenge to love

Do not forget why you are here
Or where you are going
Especially where you are going
For that is the voice that calls to you
And shapes you
And makes you

And do not call out
Unless you want what you ask for
But do not keep quiet
Because even a shrug
Can speak of infinity

And never forget your first love
Or your heart’s desire
Or your deepest lament
Or your darkest night
Or the promise you were given
Of the life you were wanting
Because you had eyes to see
And you still do

>When this body has run its course

>When this body has run its course
and mortal life takes it final bow
and the futile strivings against the ever flowing tide
recede into nothing,
what blessings can be said to remain?

Under the sky I find the prison door open
for the vagabond’s travels
but I have these flowers,
and this scrap of sunlight in the dust,
and in the frequent dark
I find embraces to remind my heart
to carry on; for with this imperfect love
I still know the infinite
distilled in time,
translated in sin,
held in hope,
and promising blessings.

And it is there and there and
there, in the terror and the joy,
that I hear the voice.
Fear not.

-October 2007

>summer day

>

down below the canopy
queuing like 405 traffic
silver backs undulate
bank to bank

others
buoyed by
desperate instincts
thrash and wheel
in heavy currents

picture book glory
ephemeral beauty
more eternal
with each frantic arc
and we breathed it deep

we came from above
through tall grasses
along the Russian’s
tumbling beauty

and now
standing in soft gravel
gripping poles
like sacred staffs
we enter in

-1998

>sunlight falls

>

– for maricel

sunlight falls
on a distant shore
i am not yet conscious
but soon i’ll sail again
(my lonely sea)

monday morning ritual
list: winter rain
ivory porcelain
rustling books
droplets stop and stream
flat stones
coffee window
croissants

fashionable expressions
enter and exit
i watch the door sweeping
worries back and forth
nouveau baguettes
stacked and smiling
bakery sounds bustle
hot and pleasant
through the wall

i am sailing
this coffee house
without a rudder
even the sidewalk
is an eternity
and it’s three thousand miles
to cross the street
to see her
on the sunny side

-February 1999/August 2007